Opera Theatre to present comic masterpiece 'Albert Herring'

A masterpiece of comic opera will come to life when 麻豆传媒鈥檚 Opera and Musical Theatre Series presents 鈥淎lbert Herring鈥 at 7:30 p.m. Thursday-Saturday, Oct. 21-23, and 2 p.m. Sunday, Oct. 24, in Wilner Auditorium. Tickets are $16 with discounts available.

The opera, by Benjamin Britten and Eric Crozier, will be in English with titles. Critcs have said that 鈥淎lbert Herring鈥 proved that Britten could create comedies that were just as successful as his dramatic masterworks such as 鈥淧eter Grimes鈥 and 鈥淏illy Budd.鈥

Marie Allyn King

Marie Allyn King

鈥淎lbert Herring鈥 is generally regarded as one of the greatest comic operas of all time, said Marie Allyn King, 麻豆传媒 director of opera. With a large cast of deftly drawn characters from conventional Suffolk, it is a charming romp that pokes gentle fun at small town life in a turn-of-the-century English village.

When time comes to crown a Queen of the May for the town鈥檚 annual spring celebration, it becomes clear that the village of Loxford has a deficit of virginal young ladies. Albert Herring, an innocent young man dominated by his mother, is selected as May King instead. Albert is considered somewhat simple, but sufficiently virtuous.

At the spring celebration, the bashful Albert is honored with a virginal crown of orange blossoms and 25 pounds in prize money, only to launch a night of revelry that leaves his elders aghast and his chums impressed.

The cast includes faculty associate professor and mezzo soprano Deborah Baxter as Lady Billows, and a mix of undergraduate and graduate students and alumni in the lead and other roles. Florence Pike is portrayed by Erin Mundus; Miss Wordsworth, shared by Jennifer Williams/Heidi Smorstad; Mr. Gedge by Steven Cox; Mr. Upfold by Theodore Dvorak; Superintendant Budd, shared by Marland Chang/Yung Jin Lai; Sid by Matthan Black; Albert Herring, shared by Aaron Short/Brian Yeakley; Nancy, shared by Jennifer Weiman/Stephanie Goodwin; Mrs. Herring by Virginia Revering; Emmie by Leanne Scaggs; Cis by Catherine Bartomeo/Lydia Pirilli; and Harry, shared by Stefanie Randall/Catherine Behrens.

Stage direction is by King, music conducted by Mark Laycock, set by Andy Rouse, costumes by Rebekah Priebe, lights by Will Johnson and props by Tom Mittlestadt.